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Bestselling 'Wallander' Author Henning Mankell Dead At 67

STOCKHOLM (AP) — Henning Mankell, the internationally renowned Swedish crime writer whose books about the gloomy, soul-searching police inspector Kurt Wallander enticed readers around the world, died early Monday, his publisher said. He was 67.

The hesitant figurehead of Scandinavian crime fiction, who last year revealed he had cancer, died in his sleep in the southwestern city of Goteborg, his publisher, Leopard, said in a statement on its website.

Mankell wrote some 50 novels and numerous plays, selling more than 40 million copies worldwide.



Following in the footsteps of the popular 1960s Swedish crime-writing duo of Maj Sjowall and Per Wahloo, Mankell's Wallander series helped define the Scandinavian genre that became known as Nordic noir. Set in the bleak landscapes of southern Sweden, the series drew on the dark, morally complex moods of its main protagonist and was heavily infused with social commentary.

Mankell himself was deeply engaged in social and political issues. Since the mid-1980s he had divided his time between Sweden and Mozambique, where he helped build a village for orphaned children to raise awareness about HIV and AIDS. He was also among the activists who were attacked and arrested by Israeli forces as they tried to sail to the Gaza strip with humanitarian supplies in June 2010.

"You have to act, not just by writing but by standing up and doing. For me, you cannot call yourself an intellectual if all you use your intellectual gifts for is to find excuses not to do anything. Which, sadly, is what I think a lot of intellectuals do," he told Britain's Guardian newspaper.

The first Wallander novel, "Faceless Killers," was published in 1991 and the series was made complete in 2009 with the 10th novel, "The Troubled Man." The books have been translated into more than 40 languages and have sold over 30 million copies worldwide. They have been adapted into films and TV series in Sweden and a popular BBC series, starring the Northern Irish actor Kenneth Branagh.

Branagh described Mankell as "a man of passionate commitment," who leaves an "immense contribution" to Scandinavian literature.

"I will miss his provocative intelligence and his great personal generosity," Branagh said in a statement. "Those privileged to know him, together with readers from all over the world, will mourn a fine writer and a fine man."



"I will miss his provocative intelligence and his great personal generosity," Branagh said in a statement. "Those privileged to know him, together with readers from all over the world, will mourn a fine writer and a fine man."

Mankell's international success paved the way for other Scandinavian authors abroad, including "The Girl With The Dragon Tattoo" author Stieg Larsson and Norwegian writer Jo Nesbo. Yet he disliked talking about the Scandinavian crime fiction phenomenon and said he was mostly influenced by Sherlock Holmes and classical Greek drama.

"It was never my intention to write crime novels as such, but to use the crime as a sort of mirror of a society and of a time. That is my starting point and I know that very many of those who are called crime writers today, they don't do that," he said in a 2009 interview with The Associated Press.

Mankell was born in Stockholm in 1948, the son of judge Ivar Mankell and librarian Birgitta, but his mother abandoned the family when he was only a year old. Mankell has said it was a "terrible thing for a child to deal with" and that he couldn't get over disliking his mother, when he met her again at age 15, for what she had done. She later committed suicide.

Mankell, his father and older sister Helena lived in the court house in the town of Sveg in central Sweden, where his father was a judge, and the writer grew up listening to grown-ups' discussions on crime and punishment.

As a boy he read books about Africa, the most exotic place he could imagine, and decided to go there one day. He has said he started dreaming of becoming an author from the day his grandmother taught him how to write.

When he was 16 he dropped out of school and started to work as a merchant seaman, loading and unloading ships in the hard-working community he would later call his "real university." He went on to live in Paris for a year and a half before returning to Sweden, where he started working as a stagehand at a Stockholm theater.

Mankell released his first novel in 1973. "The Stone Blaster" was set in the midst of a workers union movement. With the money he got from the book he bought a ticket to Guinea-Bissau in Africa and set off on a journey to realize his childhood dream. The trip would mark the start of his lifelong relationship with the continent.

"I don't know why but when I got off the plane in Africa, I had a curious feeling of coming home," he later wrote. After that he spent a big part of his life in Africa, living in countries including Zambia and Mozambique, and in 1986 he started to work as artistic leader at Teatro Avenida in Mozambique's capital, Maputo.

Back in Sweden in the 1990s, Mankell worked as head of a small theater in the town of Vaxsjo. In addition to the Wallander series he also wrote a number of children's books and independent novels, including the 1990 "The Eye of the Leopard" and "The Man from Beijing."

Mankell married and divorced three times before his final lasting marriage in 1998 with Eva Bergman, the daughter of film legend Ingmar Bergman. Together the couple worked on various charities in Africa. The author was particularly involved in a project in Uganda of so-called "memory books," in which parents dying of AIDS were encouraged to record their life stories for the children they leave behind.

"My driving force is, I guess, the same as all artists and authors," Mankell told the AP. "To try to understand the time and the world one lives in. Like most other people, I want to know why I have lived by the time I die."

He is survived by Bergman and his son Jon Mankell, his publisher said.

Funeral arrangements were not immediately announced.

Source : http://www.huffingtonpost.com/entry/henning-mankell-dead_56136e00e4b0baa355ad209e

'I found your ID!' Tom Hanks goes the extra mile to return pretty student's card... months after someone did the same for him

It's hard to find the silver lining in losing your identification cards.
Unless, that is, a film star happens to find them.
Tom Hanks went out of his way to return a woman's Fordham University ID card after finding it on Tuesday.
'Lauren! I found your Student ID in the park,' he tweeted. 'If you still need it my office will get to you. Hanx.'



The Forrest Gump star's move was perhaps inspired by his own experience, when a well-wisher went out his way to reunite the actor with his credit card back in March.
'A guy named Tony found my credit card on the street in NYC and returned it!' he tweeted at the time. 'Tony! You make this city even greater! Thanx. HANX.'
Tom certainly isn't the first star to use their celebrity powers for good.



Meanwhile social media lover Hanks has responded to a high school campaign to gt him involved in their Hanks-themed homecoming.
The students at Kerman High School in Fresno, California, are designing floats for the parade based upon the movie star's films.
And after they started a campaign to get him involved - hashtag #tomhanks2kermanhc - the actor tweeted that he would think of something suitable.
'Gear up, Kerman High School for Homecoming! I’m working on something for the Festivites! Hanx'

Source : http://www.dailymail.co.uk/tvshowbiz/article-3262302/I-ID-Tom-Hanks-goes-extra-mile-return-pretty-student-s-card-months-did-him.html


Ashley Judd says she was sexually harassed by a powerful Hollywood exec: “This is an entrenched part of the reality"

                                                                      Ashley Judd

In a new interview with Variety for their “Power of Women” issue, actress and women’s rights activist Ashley Judd shared a story about being sexually harassed by “one of our industry’s most famous, admired-slash-rivaled bosses” while shooting “Kiss The Girls” in the late ‘90s.

Judd describes being groomed by this so-called “mogul,” who she says lured her into his hotel room, asked her to help him pick out clothes, and then finally asked her to watch him shower.

“In that moment, I told him something like, ‘When I win an Academy Award in one of your movies,’” she recalls. “He said, ‘No, when you get nominated.’ I said, ‘No, no, when I win an Academy Award.’ That was a small moment of power when I was able to contradict him and hold to my reality. And then I got out of there. And by the way, I’ve never been offered a movie by that studio. Ever.”

Later, Judd said she realized that many other actresses had shared the same experience with the same executive, including being asked to watch him shower.

“Only when we were sitting around talking about it did we realize our experiences were identical,” she recalls. “There was a mutual strengthening and fortification of our resolve. One of the things that comes to mind for me: there was a really big feature that was done on this person in a national magazine, and there were all these allegations that they controlled the interview and had people listening in. And I thought, ‘If someone had come and talked to me, I don’t care. I will absolutely share that experience.’ Part of the strategy that keeps girls and women constrained in their professional experiences is retaliation and ridicule.”

Judd beat herself up and internalized the shame for years, explaining that it took a long time before she was able to come to terms with the wrongness of happened to her. She situates her story within the larger narrative of Hollywood sexism, suggesting that people are finally starting to become aware of the systematic biases and abuses directed at women in the industry.

“I did not recognize at the time what was happening to me. It took years before I could evaluate that incident and realize that there was something incredibly wrong and illegal about it,” she explains. “I think that’s what’s happening in Hollywood with regard to female crew members, above-the-line and below-the-line talent, and pay disparity. We’re individually and collectively coming to a realization and acceptance that this is an entrenched part of the reality, and I think that talking about it is essential to the process of becoming aware, accepting that this is reality and then ultimately taking action.”

Judd has been outspoken about her experiences with rape and sexual violence in the past, detailing her experiences as a survivor of sexual assault and incest in a recent personal essay on Mic.com and in her 2011 memoir “All That is Bitter and Sweet.”

Tori Spelling's 90210 sex secrets



Tori Spelling had sex with two of her 'Beverly Hills 90210' co-stars.

The 42-year-old actress admitted to romances with three of her male co-stars on the hit 1990s teen drama, revealing for the first time that she slept with Jason Priestly.

Tori publicly dated co-star Brian Austin Green during the show's run and also smooched Luke Perry.

Speaking on 'Tori Spelling: Celebrity Lie Detector' on US TV, the former child star admitted to sleeping with Brian - who is the estranged husband of Megan Fox - but says she also had a 'summer fling' with Jason.

She said: 'Half my friends don't even know this.

'It was a summer fling, it was off set, it was our version of, like, a summer romance, the '90210' version and that was it.

'You know, we stayed great friends for the rest of the run, and beyond that, but yeah, we had that one summer fling.'

Tori, now a mother of four with husband Dean McDermott, admits to a cheeky kiss with Luke Perry, also, on her 18th birthday while out celebrating with the cast.

She said: 'It was like for a second, but it was like for a young girl that was everything. But no, we never had sex.'

Source : http://www.skynews.com.au/culture/showbiz/tv/2015/10/05/tori-spelling-s-90210-sex-secrets.html

‘Homeland’ gets tweaks, but clunkiness remains

Season five kicks off with parallel plots involving Daesh and a computer-hacking incident in which thousands of the CIA’s documents have been downloaded from the agency’s German office.



Even the sleekest shows require constant maintenance under the hood. Sometimes the work that needs to be done in the break between seasons is as easy as quick trip through the Jiffy Lube (refilling a depleted story arc; replacing the filter on a subplot; adjusting for the loss of characters), while other shows require a trip back to the dealer for heavier work — the equivalent of needing to replace the transmission.

Showtime’s Homeland returns after some obvious tinkering and a hefty bill for parts and labour. Some of these tweaks hum right along with renewed zip, but (wouldn’t you know it?) it’s prone to cough and sputter.

Even though it routinely appears on viewers’ lists of favourite shows, Homeland always went a bit haywire during the last lap of each of its four previous seasons, which, if nothing else, can be blamed on the fact that it is, in the end, a show about a woman with a mental illness. (A show about a crazy person is supposed to be crazy!)

After a demoralising series of defeats in Pakistan, Homeland’s troubled heroine, CIA agent Carrie Mathison (Claire Danes), spent a couple of episodes in epilogue mode, trying to salvage her life back home in Washington. The result was a season-ender that ambiguously dangled rather than tantalised.

An obvious fix to Homeland is also the one most frequently used by other shows — especially espionage thrillers: Flash-forward, a little or a lot.

In Season 5, Homeland show-runner Alex Gansa and company have moved the story ahead two years and relocated its setting to Berlin. Carrie, who keeps her bipolar disorder in check with medications, is about as content as we could ever hope to see her — a peace that can’t possibly last. She’s in the private sector now, working as the head of security for a nebulously philanthropic corporation (reminiscent of the corporation seen in The Honorable Woman on SundanceTV), which is headed by Otto During (Sebastian Koch).

The job is meant to afford Carrie the work-life balance she never knew. Now she can pick up her toddler, Frannie (yes, Carrie decided to raise the kid, our last link to the late Sgt. Nicholas Brody), after preschool and enjoy quiet nights at home with a suitably mellow partner, Jonas (Alexander Fehling). She even attends daily Mass.

But this isn’t a show about getting cosy. With its masterfully prescient knack for melding international headlines with implausible tales of espionage, Homeland kicks off with parallel plots involving Daesh and a computer-hacking incident in which thousands of the CIA’s most valuable documents have been downloaded from the agency’s German office through the servers of a local pornstreaming operation. (In another one of those pleasant, real-world coinkydinks for Homeland, Edward Snowden just joined Twitter. I’ve always admired Homeland’s fortunate timing, rivalled only by The Good Wife’s flair for techie topicality.)

No sooner has the CIA hack been detected than we are back in the world of Saul Berenson (Mandy Patinkin), who has once again found himself in the power chambers of the agency and who travels to Berlin to handle the crisis, which returns him to Carrie’s orbit — even though the two are no longer speaking.

And poor, haunted-eyed Peter Quinn (Rupert Friend) is still out there, assigned to some of the CIA’s darkest and most off-the-book missions. For now, that means it’s up to him to keep Homeland at its best and most essentially Homeland-ish. Meanwhile, Carrie’s boss is demanding a high-security humanitarian visit to a Daesh trouble spot, and a viewer realises that this updated Homeland runs the same as it always has.

A van screeches up, someone throws a hood over Carrie’s head and she is whisked off to see a Hezbollah muckety-muck. So much for the notion that this newfangled Carrie would get to solve crises a different way. She comes home a little bruised several hours later; there’s just no pleasant “how was your day?” to be had in this woman’s life.

Her day was terrible, honey. All her days are destined to be terrible.

Don’t miss it

Homeland season 5 starts on October 5 at 11pm on OSN First HD.


'Saturday Night Live' premiere ratings: up in households, down slightly in demo



NBC's "Saturday Night Live," with host Miley Cyrus and a visit by Hillary Clinton, kicked off its 41st season with solid but unspectacular ratings.

In Nielsen's metered-market overnights, Saturday's season opener averaged a 4.5 household rating/11 share -- up 13% vs. the year-ago premiere (4.0/10) featuring Chris Pratt and musical guest Ariana Grande. The 4.5 is the highest overnight for "SNL" since Jan. 24 (a 4.7 with Blake Shelton as host and musical guest).

Total-viewer estimates won't be available until later this week, but last night's opener figures to have drawn a larger overall crowd than last year's premiere, which averaged 5.56 million. In adults 18-49, last night's 2.0 overnight rating was down a tick from last year, but matches the show's highest score in its final eight originals last season.

Though a primetime 40th anniversary special of "SNL" drew huge ratings for NBC in February , the show didn't have a great 2014-15 ratings season in its regular slot. There's hope, though, that a politically charged climate and buzzworthy guest hosts like Tracy Morgan and Amy Schumer can help reinvigorate the late-night institution.

Last season's regular-timeslot peak came in November, when Chris Rock and musical guest Prince delivered a 4.9 hou1sehold rating and a 2.4 demo rating in the overnights. That translated into 7.44 million total viewers in the nationals.

"SNL" adds significant viewership via time-shifting, with originals last season growing by an average of 44% in adults 18-49 rating when going from "live plus same-day" to "live plus-7" (1.84 to 2.65).

Last night's opener, hosted by Miley Cyrus, featured a cameo by Hillary Clinton, with the Democratic presidential hopeful playing a bartender named "Val" opposite Kate McKinnon as Clinton. The premiere also featured a cold opening with cast member Taran Killam as Donald Trump, sitting alongside Cecily Strong as Trump's wife, Melania.

Source byhttp://www.bostonherald.com/entertainment/television/television_news/2015/10/saturday_night_live_premiere_ratings_up_in


‘American Horror Story: Hotel’ Cast on the ‘Darkest,’ ‘Sexiest’ Season Yet

“American Horror Story” viewers know that the horror anthology rarely holds back — but its fifth season, “Hotel,” is even scaring its cast.



“I definitely had to put down the first script a couple times and take a few deep breaths and then come back to it,” admitted cast member Matt Bomer at the show’s premiere event Saturday night, with the actors and executive producers gathering at Los Angeles’ Regal Cinemas L.A. Live to revel in all the show’s gory glory.

Everyone from cast members Wes Bentley and Cheyenne Jackson to executive producer Brad Falchuk all agreed on one thing: “Hotel,” taking place at the mysterious Hotel Cortez in L.A., is the darkest season yet.

“It’s gorier than, I think, any of them so far, and it’s scarier to me because it’s more psychological and not just like, blood and guts,” said Jackson. “It’s the stuff that effed up in your head.”

However, the cast had an unexpected respite from all the darkness. Jackson said Lady Gaga, who joined the cast in her much-hyped “American Horror Story” debut as the Countess, brought a “joyful” presence to set. Bomer, who plays the Countess’ lover and the son of Kathy Bates‘ character, said Lady Gaga invited the cast to her house to get to know everyone, and praised her as one of his favorite actors he’s ever worked with.

While her cast was raining praise on Lady Gaga, the pop star was focused on complimenting someone else: executive producer Ryan Murphy. Lady Gaga reached out to Murphy herself to star in the fifth season of the show, and said the exec was immediately on board.

“I have been such a huge fan of this show for such a long time and always really admired the actors and the art direction and the stories and the messages that they tell,” she told Variety. “I just wanted to be a part of it. I called [Murphy] on a creative whim that meant a lot to me and he was so excited right away, and that’s what I look for in people, is passion. I mean, he’s just, like, my soulmate.”

And the Countess, the bloodsucking fashionista who runs the hotel, won’t disappoint, says the cast.

“She’s amazing,” Bentley said of Lady Gaga. “It’s not a surprise that she’s a great actress. She brings intensity to all of her work. She brings that to this as well.”

Along with being the darkest season yet, this installment of the miniseries was also noted by the cast as being the sexiest. Along with a foursome scene early in the season that has already been hyped, the cast and EPs teased plenty of sexual situations.

Falchuk said the sexual turn was due in large part to the casting of Lady Gaga, along with the crop of handsome men who joined the show this season.

“We have all of these beautiful men on the show, incredibly sexy men who are incredibly open, and you have Gaga who is also incredibly beautiful and sexual,” he explained. “How are you going to tell a story with Matt Bomer and Lady Gaga and not have it be sexy? It’s impossible. They’re inherently sexy, so what are you going to do?”

However, despite the riches of the new cast members, the show lost one of its biggest stars after the fourth season: Jessica Lange.

Kathy Bates, who acted alongside Lange for two seasons, said they feel the loss, but new cast members are certainly helping to fill the void.

“I miss Jess,” Bates said. “You know, she’s my friend, and I always used to love to go to work with her, it was a very special experience. But I’m also looking forward to working with Stefani [Lady Gaga]. I’ve had a few scenes with her and she’s actually wonderful.”

A very theme-appropriate after party followed the premiere screening at the Hotel Figueroa, complete with fake dead bodies in bathtubs and bloody handprints smeared on the mirrors.

Source by : http://variety.com/2015/scene/news/american-horror-story-hotel-premiere-red-carpet-lady-gaga-1201609745/

 
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